Youtube Some Like It Hot Funny Scenes

This is the story of how Some Like It Hot went from being a quirky controversial remake to one of Marilyn Monroe's best films ever and one of the most influential films of the period. While the film was no easy task to make, it would wind up being worth all the trouble, not only in terms of its success at the box office but also for its daring artistic merit. At this point in time, America was still a deeply segregated country so when the film was released, the public was fascinated by it. This is the story of what happened behind the scenes of this now legendary motion picture…

The Making Of A Legend

Over the years, few films have managed to earn the kind of reputation that Some Like It Hot has. Despite being an incredibly tough project to complete, the film would ultimately wind up becoming a classic and a huge hit.

When Billy Wilder originally set out to create this project, he had no idea that it was going to be this huge. These are some of the juiciest behind the scenes secrets that really went on during filming…

Remake Of A Remake Of A Remake

Some Like It Hot was originally based off a scene from another movie. Fanfaren der Liebe is a 1951 German film that involved two young men doing a variety of skits to try and earn a living.

One involved them dressing up as women to join an all-girl band. This film was in turn originally based on a French film of the same title. Wilder wanted to make something original, rather than just another remake, and made significant changes to the script.

Frank Sinatra And Marilyn Monroe

When Billy Wilder was originally casting the film, he had hoped for Frank Sinatra and Mitzi Gaynor to play the respective lead roles. Initially, Sinatra showed some interest, but when he later failed to show up for a lunch meeting, he was booted from the project.

Thankfully, Marilyn Monroe expressed interest in the part – Wilder could not have asked for more! He chose Jack Lemmon (his second choice) and Tony Curtis for the roles of the male leads and dove into production!

Challenging The Status Quo

While Some Like It Hot is considered pretty tame today, back then it was highly controversial. America was nowhere near as inclusive as it is today.

Gay people, women, and black people were all still excluded from most parts of society and bringing topics like this into the mainstream was a pretty risky decision at the time. Wilder knew that his film was going against the grain though – that was what he was counting on.

Developing The Look

Jack Lemmon and Tony Curtis spent a lot of time working out their respective looks. Even though both of them were a little weird about dressing up in drag for 80% of the movie, they took the roles seriously and worked hard on their look.

Lemmon reportedly enjoyed painting on loads of lipstick to ensure that he could make seductive poses and seemed to find the fun in it all. Curtis was a little more reserved and took a while to really warm up to the idea…

Testing The Water

After finally deciding on their respective looks, Lemmon and Curtis felt that they needed to test their outfits. Rather than asking makeup people, the crew, and the director whether they looked okay or not, they decided to go incognito to see if they could blend in.

So, after getting into costume one day, they walked around the studio lot for a while to see if anyone would notice them. To their surprise – nobody did. So now they knew that the outfits were perfect!

Holding Back Laughter

The filming process is a very strict one and in most cases, professionalism is of the utmost importance on set. Because time is of the essence while shooting, the crew are all expected to be as responsive as possible.

However, due to the incredibly funny nature of the filming process, most of the crew had to stifle their laughs while shooting each scene. In the end, though, it was Wilder who wound up laughing the most – even after strict instructions to his crew not to!

Pregnancy On Set

Marilyn Monroe had signed onto the film knowing that she was pregnant. In the past though, she had suffered from a miscarriage which had a highly detrimental effect on her psyche.

So knowing that she was pregnant and deciding to take the role was a very risky decision on her part. However, the star soon slipped into her role and got into the spirit of shooting. She had developed a habit of shaking her arms around to help relieve stress in between takes.

On Set Troubles

Despite starting the film in good spirits and high energy, Monroe soon started encountering problems. Being pregnant had made her hormonal and moody. On top of that, her previous experience with pregnancy had caused a great deal of anxiety in her as she worried about trying to keep calm under the pressure.

While she worked hard to stay focussed and give her best performance, the actress was clearly struggling more and more every day. They pushed on nonetheless.

Strictly Method

At the time, Monroe was studying method acting at the Lee Strasbourg theatre. Having never been formally trained before, she found that relying on her looks and natural talent wasn't the best idea for her career.

As a result of her training, Monroe learned how to adapt her technique to give more realistic performances. She even had an acting coach follow her around on set every single day. Apparently, she wouldn't even listen to director Billy Wilder without consulting her acting coach first.

83 Takes

Despite her training, Monroe was really struggling to cope with the pressure of being pregnant while filming. She was often late for shoots, would frequently get into disagreements with fellow cast and crew, and more often than not, she would forget her lines.

The scale of her struggles only became apparent when she started forgetting simple lines like "It's me Sugar" which took 83 attempts and "Where's the bourbon" which took 59 attempts. While Wilder was trying to be as patient as possible, the problems seemed to keep mounting.

Nobody But Marilyn

Despite the problems that Monroe was going through and the amount of stress it was causing the entire production, Wilder felt that she was still perfect for the role.

"You can have 50 different actresses some of them were all quite good, with great technique, but nobody would have been better than her" Wilder said of her performance in the film. Ultimately, Wilder believed that no one else would really have been able to fill her shoes and was certain he had made the right choice in casting her.

One Of A Kind

Billy Wilder is widely regarded as one of the best directors of his era. Some his most acclaimed films include Double Indemnity, Sunset Boulevard, The 7 Year Itch and of course, Some Like It Hot.

Wilder had some pretty unique techniques as far as a director and was somewhat of a renaissance man. He was the first to win an Academy Award in the role of screenwriter, director, and producer and also used to push his actors a lot to get the best out of them.

Not Tonight, Joesphine

While Wilder was working on the script, he toiled with a number of different titles. Apparently, the first version of the title was meant to be "Not Tonight, Josephine" but was later changed because he felt that it was too misleading.

He had also debated the idea of shooting the film in color in order to keep in time with the technical developments happening in cinema at the time. He changed his mind when he felt the actors' makeup looked too obvious in color.

Becoming More Erratic

As production on Some Like It Hot continued, Monroe's condition got worse and worse. As her body kept changing as a result of her pregnancy, her hormonal fluctuations coupled with the highly demanding nature of filmmaking was really starting to take its toll on her.

She became more and more irritable, would start fights unnecessarily, and was struggling to perform properly with every day on set. Wilder started worrying about her mental health but decided to push on with the film anyway.

The Maracas

In the build-up to the big "Nobody's Perfect" scene – one of the final scenes in the film, Lemmon was trying out a number of different ideas to help progress the scene more fluidly. Lemmon had prepared for the role but felt it still lacked something.

That was when Wilder gave him a pair of maracas and instructed him to carry them around all day. The idea was that by shaking them, he would look more happy on camera, something that really helped to make the scene iconic.

Sound Problems

A large portion of the film was shot in Del Coronado Hotel. This was supposed to be in Miami, and while Wilder had found the perfect setting at the hotel – there was one glaring problem. The hotel was situated right next to a navy airbase.

This meant that airplanes would frequently fly overhead, causing them to halt production until they could get a better sound take. Coupled with Monroe's erratic behavior, this made shooting the film really difficult, but Wilder was patient and it paid off.

Shooting To Edit

In the early days of filmmaking, the filming process was quite a complicated procedure. Due to the lack of technology, directors had to work closely with the heads of other departments to ensure that every scene and take was as close to perfect as possible when being shot.

Wilder took this a step further by calling cut during scenes when he felt it necessary. This meant that the editing process was easier for him – but actors had to get used to breaking character mid-scene.

Fulfilling A Fantasy

One of Wilder's all-time professional goals was to work with Cary Grant. Unfortunately, the director had never had the chance. Thankfully, he got a shot at working with something close to Grant when Curtis approached him with his rendition of Junior, the millionaire he portrayed to get Monroe's attention in the film.

He channeled Cary Grant a lot for the role and Wilder loved it! He later thanked Curtis for fulfilling a long-time fantasy of his and could tick one more achievement off his long list.

First Ever

Wilder was a director who was known for being a master of the master shot. No – that's not a typo! A master shot is essentially the main shot that a scene is built around.

It's generally a wide-angle shot that covers all the action and actors in the scene, which the editor then uses as a reference for cutting the scene together. Wilder was known for coordinating beautiful master shots and Monroe wound up being the first ever pregnant women in one of his.

Worst Fears Realized

Halfway through the filming of the movie, Monroe's worst fears came to light. She found out that she had had yet another miscarriage. The already emotional star was grief-stricken at this point and the crew wasn't sure if she'd finish the movie.

They changed her schedule so that if she didn't show up on set, they could continue without her. This would wind up being the main issue that led to her downfall as she turned to substance abuse to help cope with the pain.

Improvising

The final scene of the movie is widely regarded as one of the most iconic. At the end of the movie, Joe (Lemmon's character) has built up a relationship with Osgood Fielding III, a wealthy millionaire who has fallen for his female persona, Daphne.

However, Joe tries to come up with reasons for why the two should not be married. After telling him he's a man, Osgood simply replies "Nobody's perfect." That line was created on the spot and wound up becoming the most famous in the movie!

Over Budget

Due to many mishaps that happened on the set, Wilder had gone far over budget. Being that this was the first movie he had made with the Mirisch Brothers and United Artists, the pressure for the film to succeed was immense.

While Wilder had budgeted very carefully, he had no control over the erratic feelings of Monroe and the various technical issues that happened on set. Despite his best efforts, the production process had gone off schedule and over budget.

Preview Anxiety

Despite being over budget and off schedule, Wilder managed to complete the film anyway. Once the master cut was made, the studio set about hosting a few preview screenings to test the audience's reaction to it.

After the first preview, Wilder got mixed responses and the studio was disappointed with the result. After cutting out only 60 seconds (less than the requested 15 minutes), they screened the film again to a younger audience – with much better results. Wilder was certain it would be a successful picture.

Controversial Classic

Wilder's predictions wound up being true and Some Like It Hot was a phenomenal box office success at the time. However, the success of the film was followed by a great deal of controversy (it was literally banned from Kansas for its depiction of cross-dressing) and helped to bring gay themes into mainstream society.

Wilder had taken a daring chance, and it had paid off. Unfortunately, the film would also mark the downturn of Marilyn Monroe's career, but simultaneously solidify those of Jack Lemmon and Tony Curtis.

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Source: https://brain-sharper.com/entertainment/some-like-it-hot-tw/